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Music : Cohen, Neschling, São Paulo State SO - Liszt: Totentanz, Piano Concertos No 1 & 2 (2007)
 
http://i59.fastpic.ru/big/2015/0206/85/67d11fa0d8355c8c352ada1bc134e085.jpg

Cohen, Neschling, São Paulo State SO - Liszt: Totentanz, Piano Concertos No 1 & 2 (2007)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 211 MB
Genre: Classical | Label: Bis | Catalog Number: 1530

"The vast majority of Brazilian-born pianist Arnaldo Cohen's discography is devoted to the music of Franz Liszt. There is good reason for this; his technique and approach to the instrument seem especially suited for the demands Liszt makes of pianists, from extreme subtlety and introspection to the bravura, ostentatious displays of power and virtuosity. Cohen delivers all of this with remarkable clarity."

"Reviews: It's often thought that critics work in isolation, and that a published opinion is merely the subjective impression of one individual. Maybe some do work that way, but I consider myself extremely fortunate to be in communication with colleagues or partners at CT.com and elsewhere--some of the most dedicated and knowledgeable people in the field. We enjoy discussing the merits of various recordings, and particularly before we give a disc a 10/10 rating we often consult to see if we agree. This is reflected, for example, in the "International Consensus" Disc of the Month selections, but that is only the tip of the critical iceberg. When it comes to repertoire very frequently recorded, such as the Liszt piano concertos, we often try to be extra careful, to be particularly clear about our reasons for awarding a new release our highest accolade.

In this particular case, I had an extensive discussion with my colleague Christophe Huss, who operates CTFrance.com. We both agreed that these performances were unusually excellent, with Christophe a bit more enthusiastic about them than I was. Clearly, Arnaldo Cohen is an exceptional Liszt pianist; he tackles all three works with consummate virtuosity and intelligence. Rapid passagework, such as the scherzo section of Piano Concerto No. 1, truly sparkles. The cadenzas in Totentanz are brilliant without turning noisy or vulgar. The Second Concerto possesses a rare cogency arising primarily from Cohen's ability to inflect a phrase without slowing down for effect or sacrificing the long arc of melody.

I thought, however, that the end of Totentanz didn't quite match the manic sense of fun characteristic of Brendel's astonishing performance with Haitink on Philips (one of the very best recordings he ever made). Christophe felt that this minor deficit was more than outweighed by one other critical factor. Many of the most highly acclaimed recordings of these concertos, he pointed out, feature big-name soloists accompanied by big-name conductors and orchestras who play with, at best, a certain casual indifference. This is, after all, pianists' music. In this case, we have a lesser-known conductor and orchestra, but they play with as much conviction and intensity as the soloist, and bring an equal amount of character and personality to their contributions. The result is a true partnership of equals, a rarity in Liszt's piano music, yet surely what he intended in these colorfully and very precisely scored pieces (how many piano concertos do you know that give specific cautionary advice in a footnote to the triangle player?).

Listening to these performances yet again, and making some spot comparisons with a few other favorite versions, it's clear that Christophe was right. And this fact, together with BIS's typically state-of-the-art SACD multichannel engineering, led us both to agree to give this disc our highest recommendation. I decided to tell the story in this way because I think it says something useful about what a 10/10 means: a performance that is first of all generally excellent, but that also contains something extra, a positive quality not to be found in competing versions (at least not quite to the same degree). It doesn't mean that everything about it is "the best" in direct comparative listening (a silly notion to begin with), and of course everyone will have their own personal preference in this music--but if you try this disc you will surely hear the qualities described above, just as we did, and hopefully will be similarly impressed."


Tracklisting:

1. Totentanz, for piano & orchestra, S. 126 (LW H8): Andante - Allegro - Allegro moderato
2. Totentanz, for piano & orchestra, S. 126 (LW H8): Variation 1
3. Totentanz, for piano & orchestra, S. 126 (LW H8): Variation 2
4. Totentanz, for piano & orchestra, S. 126 (LW H8): Variation 3
5. Totentanz, for piano & orchestra, S. 126 (LW H8): Variation 4
6. Totentanz, for piano & orchestra, S. 126 (LW H8): Variation 5
7. Totentanz, for piano & orchestra, S. 126 (LW H8): Cadenza
8. Totentanz, for piano & orchestra, S. 126 (LW H8): Variation 6
9. Totentanz, for piano & orchestra, S. 126 (LW H8): Cadenza
10. Totentanz, for piano & orchestra, S. 126 (LW H8): Allegro animato
11. Piano Concerto No. 1 in E flat major, S. 124 (LW H4): 1. Allegro maestoso. Tempo giusto
12. Piano Concerto No. 1 in E flat major, S. 124 (LW H4): 2. Quasi adagio
13. Piano Concerto No. 1 in E flat major, S. 124 (LW H4): 3. Allegretto vivace
14. Piano Concerto No. 1 in E flat major, S. 124 (LW H4): 4. Allegro marziale animato
15. Piano Concerto No. 2 in A major, S. 125 (LW H6): Adagio sostenuto assai - Allegro agitato assai
16. Piano Concerto No. 2 in A major, S. 125 (LW H6): Tempo del andante - Allegro moderato
17. Piano Concerto No. 2 in A major, S. 125 (LW H6): Allegro deciso
18. Piano Concerto No. 2 in A major, S. 125 (LW H6): Marziale un poco meno allegro
19. Piano Concerto No. 2 in A major, S. 125 (LW H6): Un poco meno mosso
20. Piano Concerto No. 2 in A major, S. 125 (LW H6): Allegro animato

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 27. January 2015, 2:10

Arnaldo Cohen, OSESP, John Neschling / Liszt - Piano Concertos

Used drive : HL-DT-STDVDRAM GU70N Adapter: 0 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%

TOC of the extracted CD Track | Start | Length | Start sector | End sector
-----------
1 | 0:00.00 | 2:04.40 | 0 | 9339
2 | 2:04.40 | 0:50.52 | 9340 | 13141
3 | 2:55.17 | 0:40.58 | 13142 | 16199
4 | 3:36.00 | 0:27.61 | 16200 | 18285
5 | 4:03.61 | 3:16.25 | 18286 | 33010
6 | 7:20.11 | 2:48.44 | 33011 | 45654
7 | 10:08.55 | 1:10.38 | 45655 | 50942
8 | 11:19.18 | 2:39.22 | 50943 | 62889
9 | 13:58.40 | 0:41.40 | 62890 | 66004
10 | 14:40.05 | 0:57.39 | 66005 | 70318
11 | 15:37.44 | 5:41.74 | 70319 | 95967
12 | 21:19.43 | 4:56.50 | 95968 | 118217
13 | 26:16.18 | 4:11.29 | 118218 | 137071
14 | 30:27.47 | 4:24.24 | 137072 | 156895
15 | 34:51.71 | 6:55.26 | 156896 | 188046
16 | 41:47.22 | 5:55.44 | 188047 | 214715
17 | 47:42.66 | 2:53.23 | 214716 | 227713
18 | 50:36.14 | 1:07.18 | 227714 | 232756
19 | 51:43.32 | 3:08.19 | 232757 | 246875
20 | 54:51.51 | 2:18.11 | 246876 | 257236

Range status and errors

Selected range Filename C:\temp\BIS-SACD-1530 - Liszt - Piano Concertos; Totentanz\Liszt - Piano Concertos.wav Peak level 99.3 %
Extraction speed 2.2 X
Range quality 100.0 %
Test CRC 21435709
Copy CRC 21435709
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 8) [3ACCB1E7] (AR v2)
Track 2 accurately ripped (confidence 8) [1ED6B0D5] (AR v2)
Track 3 accurately ripped (confidence 8) [9DD6C843] (AR v2)
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Track 20 accurately ripped (confidence 8) [07DD4AE1] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum 9029BC793994845893B87777E9935F0FBFFFC81259A2077A6CCA48CB3E2A3679 ====

Thanks to the original releaser
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