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Music : Dino Betti Van Der Noot - Here Comes Springtime (1985)

Artist:Dino Betti Van Der Noot
Title:Here Comes Springtime
Year Of Release:1985
Label:Soul Note
Genre:Jazz, Contemporary Jazz, Modern Creative, Big Band
Quality:FLAC (log,tracks+cue)
Total Time:0:39:35
Total Size:214 Mb
WebSite:Album Preview

1. Eterni Sono Gli Atti D'Amore (Acts Of Love Are Forever) 05:56
2. Just The Way We Live Tonight 06:09
3. October's Dream / Caro Arrigo (Dear Arrigo) / October's Dream 06:55
4. Here Comes Springtime 10:50
5. So Far Away From You 09:21

Composer, Keyboards, Leader, Synthesizer - Dino Betti Van Der Noot
Trumpets & Flugelhorns - Franco Ambrosetti, Rudy Brass, Mike Burke, Nerino Spampinato, Luigi Tisserant
Trombones - Luca Bonvini, Ron Burton, Rodolfo Melendrandri, Claudio Nisi
Reeds & Flutes - Donald Harrison, Gianluigi Trovesi, Hugo Heredia, Leandro Prete, Peppino de Mico, Sergio Rigon
Piano [Steinway] - Mitchel Forman
Vibes - Gianni Fare
Cello - Luca Perreca
Acoustic Bass - Bob Cunningham
Drums - Daniel Humair
Percussion - Luis Agudo
Vocal - Linda Wesley

There are some musicians whose instrument is the orchestra. They hear multiple voices, textures, harmonic designs. And if they are jazz composers, they hear the sweet and pungent tension between the orchestra and the improvising soloist. If, moreover, they are composers interested in more than self-gratification, they hear, as they write, particular players so that the ultimate scores reflect a range of individual personalities, each of them telling their own stories as well as that of the composer.
Dino Betti van der Noot is an easeful, authoritative writer for jazz orchestra. Everything is in place, the right place. There is no straining for effect, no pompous flourishes. Indeed, there is a natural grace in the way his melodies develop, as well as in the evident joy he takes in mixing colors and dynamics. He's not out to prove how trendy he is or "serious" he is. He just loves to play the orchestra, to give pleasure, to take pleasure. His further aim is to create music that appeals both to experienced jazz listener and to people who don't listen in categories but rather turn to whatever pleases them. He succeeds, as few are able to, in reaching the wider audience without diluting the jazz in his work, without watering it into "fusion".
Both in its parts and as a probing multi-dimensional whole, this orchestral set by Dino Betti van der Noot is a personal memoir of times, places and internal sea changes while also being an act of collective story-telling by an orchestra of international jazz players who add their own memories, desires and anticipations to those of the composer. And, since the music does not try to be part of any current trend, it will last beyond current trends. --Nat Hentoff

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