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Applications : Goodhertz v.2.0.0 Complete bundle AU-[ked]-DiGiTAL MACHiNE

DigitalMachine | August 03 2016 | 6 MB
Simple Interfaces & Good Audio.
Goodhertz is an audio software company that currently makes audio plugins and licenses audio algorithms for embedding on the Mac & iOS platforms.
12 Audio Units plug-ins:

Expressive stereo imaging.

Superior tone-shaping, from mix to master.

New directions in panning.

Faraday Limiter
Peak limiter w/ a big magnetic field.

Filter sweeps: lo, hi, & anywhere in between.

Vulf Compressor
Beastly compression by Vulf.

Trem Control
Classic tremolo for the 21st century.

Tone Control
Timeless EQ, taken back to the future.

CanOpener Studio
Conjure speakers from your headphones.

Digital artifacts on demand.

Good Dither
World-class dither, simple controls.

Midside Matrix
Easy Mid/Side conversion.

What's New in v2.0?

Today we're proud to an­nounce a re­lease that has been in the works for months: v2.0, an up­grade for our en­tire plu­gin suite. Not only does ver­sion 2.0 look and feel bet­ter, it's light­ning-fast under the hood - we've spent hun­dreds of hours of R&D to make v2.0 as quick and light­weight as pos­si­ble. v2.0 is also packed with some great new fea­tures & im­prove­ments and a new, free mid/side plu­gin.
Overall Improvements
*Side-by-side Advanced pane. See all the controls at once!
*Better automation in Pro Tools
*DSP performance improvements throughout
*~2-4x faster "HQ Mode"
*Better, faster meters. All meters are now hardware accelerated
*Improved UI layouts
Midside Matrix
*M/S encoding & decoding
*High resolution M/S gain faders
*Large goniometer + metering
Of all the plu­g­ins, Lossy 2.0 is per­haps the most dif­fer­ent from its pre­de­ces­sor. To be clear, noth­ing has been lost from ver­sion 1.0. We've sim­ply added new "styles" of dig­i­tal loss - or "modes" as we call them. In ad­di­tion to the clas­sic Stan­dard Loss (which mim­ics the com­pres­sion al­go­rithms of MP3-like codecs), we recre­ated some other modes of dig­i­tal "loss":
*Inverse Mode - everything that MP3 codecs strip out of the audio
*Phase Jitter - random inaccuracies in phase and timing
*Packet Loss - data packet dropouts of a bad connection
*Packet Repeat - repeated packets caused by a bad connection
*Standard + Packet Loss
*Standard + Packet Repeat
Want to see all of Lossy's modes in ac­tion? Check out a demon­stra­tion on YouTube.
Keep­ing track of all these new loss modes can be a lit­tle daunt­ing, so we added a new side­bar vi­su­al­iza­tion to help you see as well as hear them in re­al­time.
We've also up­dated the fil­ter con­trols for eas­ier fil­ter­ing, as well as in­cluded an "In­vert" fil­ter mode that al­lows you to, well, in­vert your fil­ter.
CanOpener Studio
*New Stereo Spectroscope meter
*Whole new layout
Vulf Compressor
Some of Vulf Com­pres­sor's magic cer­tainly re­sides in its mys­tery, but we wanted to take just a lit­tle mys­tery of out of the me­ter­ing. So the IN and OUT slid­ers now have in­line me­ters for easy mon­i­tor­ing.
One other small im­prove­ment: be­cause, some­times, you don't re­ally want to be faith­ful to the nois­i­ness of the Roland SP-303's turn-of-the-cen­tury elec­tron­ics, we added a lit­tle tog­gle in the side­bar. When it's lit up, noise is at its de­fault value - that is, quite noisy. But when you click it once, the noise is muted. (Click again to get the noise back.)
Tone Control
Though its cat­a­log num­ber (0003) would sug­gest Tone Con­trol was our third plu­gin, it was ac­tu­ally the first in­ter­face we de­signed. When we re­vis­ited Tone Con­trol last month, we thought: what would this plu­gin look like if we de­signed it today in­stead of over two years ago? The an­swer: Tone Con­trol 2.0 - more com­pact, more func­tions, more func­tional. Go ahead: con­trol some tones!
In ad­di­tion to a new lay­out, im­proved me­ter­ing, and a larger fre­quency re­sponse curve, we've added an "HQ Mode" with a lin­ear phase con­trol. The "HQ Mode," which uses the high­est pre­ci­sion fil­ters we've ever built, sounds in­cred­i­ble, and the vari­able lin­ear phase con­trol takes it even fur­ther. Go from ana­log-style min­i­mum phase op­er­a­tion to ruler-flat lin­ear phase in one smooth con­trol.
Lastly, Tone Con­trol 2.0 adds an ad­vanced "Pro­cess­ing Mode" - mak­ing it pos­si­ble to process only part of a stereo input: left, right, mid, or side. Use it to quickly tone-sculpt your stereo con­tent or fix an un­bal­anced stereo field.
Trem Control
Trem Con­trol's side­bar mon­i­tor now in­cludes an ac­cu­rate vi­su­al­iza­tion of the cur­rent "po­si­tion" of the tremolo curve.
As in Vulf Com­pres­sor, Trem Con­trol also has a new side­bar noise tog­gle. (After all, one of the great ben­e­fits of dig­i­tal tech­nol­ogy is that you don't have to have noise if you don't want it).
Good Dither
*Added a handy Bit Scope meter
*Added an "Auto Blanking" indicator
*Fixed a Pro Tools "Auto Blanking" bug
*Added a "Filter Glide Time" Advanced control
*Wider limiter/saturator range
*Added a gain reduction history meter
Faraday Limiter
*Added a "Master Mix" control
*Added sidechaining support
*New "Auto Gain" control for peak-level matching
*Wider gain ranges
*New "Threshold" and "Output Gain" indicators
*Added a "Pan Glide Time" control
*Added On/Off controls for each panning module
*Added sidebar buttons to quickly change input/output mode
*Level meters now show both input & output levels
*Fixed some mid/side linking issues
*New Advanced layout
*Added "HQ Mode" for higher quality tilt option
All in all, v2.0 is a huge re­lease for us here at Good­hertz. We re­ally hope you like the new plu­g­ins, and if you have any is­sues up­grad­ing, please con­tact us.

- Goodhertz, Inc.
- Just copy "ghz2-....component" to default directory.
Remember, if you like it buy it!!!!

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