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Applications : Slate Digital FG-X v1.0 AU VST RTAS MAC OSX-Team XVX
 
http://i80.fastpic.ru/big/2016/0806/fc/5a69ce3e0447af931cfc2e59c63544fc.jpg

Slate Digital FG-X v1.0 AU VST RTAS MAC OSX-Team XVX | 31.9 MB
Imagine mastering your mixes without causing the lifeless, squashed, and over compressed sound that has become so common in modern music. We have all been at the mercy of the "loudness wars" for over ten years now. Masters have become louder and louder, at the expense of the music becoming harsh and lacking punch and dynamics. One of the main causes of this epidemic is the use of the Peak Limiter to achieve increased levels in the mastering stage. Peak limiters attenuate transients and often reduce punch, stereo imaging, can greatly alter mix balances, and cause a fatiguing result to the ears.
http://i80.fastpic.ru/big/2016/0806/fc/5a69ce3e0447af931cfc2e59c63544fc.jpg

Slate Digital FG-X v1.0 AU VST RTAS MAC OSX-Team XVX | 31.9 MB

The Concept
Imagine mastering your mixes without causing the lifeless, squashed, and over compressed sound that has become so common in modern music. We have all been at the mercy of the "loudness wars" for over ten years now. Masters have become louder and louder, at the expense of the music becoming harsh and lacking punch and dynamics. One of the main causes of this epidemic is the use of the Peak Limiter to achieve increased levels in the mastering stage. Peak limiters attenuate transients and often reduce punch, stereo imaging, can greatly alter mix balances, and cause a fatiguing result to the ears.

Some of the top mastering engineers have found ways to combat this sonic degradation by using techniques other then Peak Limiting. One of the more popular techniques is the use of saturation in both the analog and digital domain. Another popular method is clipping the front end of expensive A/D converters.

However, both of these methods, while better then peak limiting, have their downfalls. Static saturation curves are not universal in their ability to sound good on all transients. Clipping greatly reduces low end punch and is very poor at retaining sub bass. Both static saturation and clipping have a small window of gain maximizing before audible distortion. Enter SLATE DIGITAL.

FG-X DYNAMICS RACK

Two years ago Steven Slate and expert algorithm engineer Fabrice Gabriel started working out the concept for a digital audio process that could increase the level of a mix without altering the punch and dynamic feel, or make the mix sound squashed and lifeless. They started by researching saturation curves and their effect on various types of transient material. After several months of study and hundreds of listening tests, they made some fascinating discoveries. What they found, was that in order to transparently add level to a mix, a dynamic and intelligent transient saturation system would have to be developed.

New ADVANCED ALGORITHMS were created to execute the extremely complex communication system that would be needed to properly perform the new dynamic operations. A new algorithm was formed, and the process was named "Intelligent Transient Preservation", or ITP.

OS version: Mac OS X 10.6 or later
Processor type(s) & speed: Dual Core Intel Processor
RAM minimum: 4GB

You only need to install from installer Slate Digital FG-X Demo Setup - Mac.mpkg
before. After installation copy the unpaced plugins to your Plug-Ins folder!

Very important! :
This Plug-in comes from a Demo, you cannot save Presets;
but this is a Mastering Plug-In and you don't necessarily need to.

Homepage:
http://www.slatedigital.com/products/fgx/


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