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Music : Johan Christian Julius Sibelius - The Sibelius Edition, Vol.6: Violin & Piano (5CD) (2008)
 
http://i69.fastpic.ru/big/2016/0622/5c/1fc08f7935bf6100d3feb326ee0c065c.jpg

Artist:Johan Christian Julius Sibelius
Title:The Sibelius Edition, Vol.6: Violin & Piano
Year Of Release:2008
Label:BIS
Genre:Classical
Quality:MP3 320 Kbps
Total Time:06:03:22
Total Size:915 Mb
WebSite:Album Preview
Tracklist:

CD 1:
Sonata in A minor, JS 177 [15:52]
(1884) (Manuscript / Breitkopf & Härtel)
01. I. Un poco lento - Più mosso quasi presto [5:50]
02. II. Andantino [3:21]
03. III. Tempo di Menuetto [2:18]
04. IV. Rondo. Presto [4:07]
05. Andante grazioso in D major, JS 35 [2:57]
(1884-85) (M/s / Breitkopf & Härtel)
06. Sonata [movement] in D major [9:22]
(1885) (Manuscript HUL 0541a/4)
Allegro con brio
07. [Moderato] - Presto - [Tempo I] in A minor, JS 7 [4:37]
(1886) (M/s / Breitkopf & Härtel)
08. [Menuetto] in D minor [1:35]
(1886) (M/s HUL 0670/1)
09. [Menuetto] in E minor, JS 67 [3:59]
(1886-87) (M/s / Breitkopf & Härtel)
10. [Andantino] in A minor, JS 8 [3:32]
(1886-87) (M/s / Breitkopf & Härtel)
[Five Pieces] (1886-87) (M/s / Breitkopf & Härtel) [13:50]
11. [Allegretto] in G major, JS 86 (revised version) [3:33]
12. [Tempo di valse] in B minor, JS 89 [completed by Jaakko Kuusisto] [3:39]
13. [Mazurka] in A major, JS 4 [0:41]
14. [Andante molto] in C major, JS 49 [3:46]
15. [Aubade] in A major, JS 3 [1:40]
16. [Scherzino] in F major, JS 78 [0:56]
(1886-87) (M/s / Breitkopf & Härtel)
[Vivace] - Presto
17. [Andante elegiaco] in F sharp minor [2:56]
(1887) (M/s HUL 0672)
18. Andante cantabile in G major, JS 33 [2:31]
(1887) (M/s / Breitkopf & Härtel)
19. [Sonata Allegro Exposition] in B minor, JS 90 [3:23]
(1887) (M/s / Breitkopf & Härtel)
Suite in D minor, JS 187 [9:33]
(1887-88) (M/s / Breitkopf & Härtel)
20. I. Un poco adagio - Andante [2:13]
21. II. Vivace [1:38]
22. III. Andantino [1:11]
23. IV. Vivacissimo [0:58]
24. V. Moderato (M/s HUL 0665/1) [0:48]
25. VI. Quasi presto [2:25]Jaakko Kuusisto violin · Folke Gräsbeck piano

CD 2:
[Two Pieces] [3:22]
01. Moderato - Maestoso in E flat major, JS 132 [2:22]
(1887-88) (M/s / Breitkopf & Härtel)
02. nterludium and Maestoso in C minor [1:00]
(1887-88) (M/s HUL 0661)
[Two Pieces] [2:54]
03. [Lento] in E flat minor, JS 76 [1:51]
(1887-88) (M/s / Breitkopf & Härtel)
04. Allegretto in E flat major, JS 22 [0:58]
(1888) (M/s / Breitkopf & Härtel)
05. Allegretto in C major, JS 19 [1:15]
(1888) (M/s / Breitkopf & Härtel)
06. [Tempo di valse] in A major [0:34]
(1888) (M/s HUL 1172/2)
Suite in E major, JS 188 [17:21]
(1888) (Warner/Chappell Music Finland)
07. I. Allegro molto moderato - quasi adagio [6:37]
08. II. Allegro molto [1:35]
09. III. Più lento quasi andantino [3:38]
10. IV. Allegro brillante [5:31]
11. Allegro [Sonata Exposition] in A minor, JS 26 [4:36]
(1888-89) (M/s / Breitkopf & Härtel)
12. [Larghetto, Fragment] in D minor [0:46]
(1889) (M/s HUL 0677)
Sonata in F major, JS 178 [25:14]
(1889) (Warner/Chappell Music Finland)
13. I. [Allegro] [11:09]
14. II. Andante [5:57]
15. III. Vivace [7:52]
16. [Largamente, Fragment] in E minor [2:00]
(1889-91) (M/s HUL 0676)
17. [Adagio] in D minor [1:09]
(1890) (M/s HUL 1752)
18. [Grave, Fragment] in D minor [1:34]
(1891-94) (M/s HUL 0678)
Jaakko Kuusisto violin · Folke Gräsbeck piano
Two Pieces, Op. 2 [5:49]
(revised versions, 1911) (Universal Edition)
19. I. Romance in B minor. Grave [3:06]
20. II. Epilogue. Allegro [2:37]
Nils-Erik Sparf violin · Bengt Forsberg piano

CD 3:
Concerto in D minor for violin and orchestra [38:59]
Op. 47 (original version, 1903-04)
Transcription for violin and piano by the composer
(first movement piano part completed by Kalevi Aho [2007])
WORLD PREMIÈRE RECORDING
01. I. Allegro moderato [20:38]
(M/s HUL 0435; piano part, bars 22-53, 119-206, 265-76, 288-394, 458-541 completed by Kalevi Aho)
02. II. Adagio di molto [8:27]
(M/s Sibelius Museum, Turku; violin part based on manuscript orchestral score HUL 0434)
03. III. Allegro (ma non tanto) [9:41]
(M/s Sibelius Museum, Turku)
Concerto in D minor for violin and orchestra [32:35]
Op. 47 (final version, 1905) (Lienau)
Transcription for violin and piano by the composer
04. I. Allegro moderato [16:28]
05. II. Adagio di molto [7:55]
06. III. Allegro [7:57]Madoka Sato violin · Folke Gräsbeck piano

CD 4:
01. Scène d'amour [6:10]
from the incidental music to the ballet Scaramouche, Op. 71
(1913, arr. 1925) (Wilhelm Hansen)
Lento - Andantino - Cantabile
Two Serious Melodies, Op. 77 [8:30]
(Wilhelm Hansen)
02. I. Cantique (Laetare anima mea) (1914). Moderato assai [5:23]
03. II. Devotion (Ab imo pectore) (1915). Tempo molto moderato [3:01]
Four Pieces, Op. 78 [11:13]
(Wilhelm Hansen)
04. I. Impromptu (1915). Commodo [1:40]
05. II. Romance in F major (revised version, 1915). Andante [3:22]
06. III. Religioso (1917). Sostenuto assai [4:00]
07. IV. Rigaudon (1915). Allegretto [1:52]
Six Pieces, Op. 79 [20:26]
(Wilhelm Hansen)
08. I. Souvenir (1915). Tempo moderato [4:54]
09. II. Tempo di Menuetto (1915). Largamente [3:22]
10. III. Danse caractéristique (1916). Lento - Vivace [2:30]
11. IV. Sérénade (1916). Allegretto con grazia [3:12]
12. V. Tanz-Idylle (1917). Allegretto [2:36]
13. VI. Berceuse (1917). Andantino [2:21]
Nils-Erik Sparf violin · Bengt Forsberg piano
14. [Andante sostenuto] in E major [1:16]
(1915?) (M/s HUL 1753)
WORLD PREMIÈRE RECORDING
Madoka Sato violin · Folke Gräsbeck piano
Sonatina in E major, Op. 80 [12:51]
(1915) (Wilhelm Hansen)
15. I. Lento - Allegro [3:49]
16. II. Andantino [3:51]
17. III. Lento - Allegretto [3:58]
Five Pieces, Op. 81 [14:24]
(Warner/Chappell Music Finland)
18. I. Mazurka (1915). Commodo e con gracia [2:15]
19. II. Rondino (1917). Allegretto grazioso [1:51]
20. III. Valse (1917). Poco con moto [3:03]
21. IV. Aubade (1918). Andantino con moto [3:02]
22. V. Menuetto (1918). Moderato assai [3:55]
23. Novellette, Op. 102 [2:39]
(1922) (Wilhelm Hansen)
Allegro
Nils-Erik Sparf violin · Bengt Forsberg piano

CD 5:
Danses champêtres, Op. 106 [16:21]
(Wilhelm Hansen)
01. I. Largamente assai - Vivace (1924) [4:11]
02. II. Alla polacca (1924) [2:07]
03. III. Tempo moderato (1925) [3:53]
04. IV. Tempo di menuetto (1925) [2:55]
05. V. Poco moderato - Allegretto (1925) [2:57]
Madoka Sato violin · Folke Gräsbeck piano
Four Pieces, Op. 115 [10:05]
(1929) (Breitkopf & Härtel)
06. I. Auf der Heide. Andantino [2:21]
07. II. Ballade. Allegro moderato [3:54]
08. III. Humoresque. Tranquillo - Allegretto [2:15]
09. IV. Die Glocken (Capriccietto). Presto [1:20]
Three Pieces, Op. 116 [9:19]
(1929) (Breitkopf & Härtel)
10. I. Scène de danse. Tempo moderato [2:06]
11. II. Danse caractéristique. Tempo moderato [2:40]
12. III. Rondeau romantique. Largamente - Tempo commodo [4:20]
Nils-Erik Sparf violin · Bengt Forsberg pianoAppendix I: Complete Works for Solo Violin
13. [Mazurka] in C major [0:44]
(1883) (M/s HUL 0536a/2)
WORLD PREMIÈRE RECORDING
14. Impromptu in G minor [0:57]
(1884) (M/s HUL 0525/3)
WORLD PREMIÈRE RECORDING
Madoka Sato violin
15. [Étude] in D major, JS 55 [4:29]
(1886) (M/s / Breitkopf & Härtel)
16. [Allegretto] in A major [0:46]
(1891-94) (M/s HUL 1088/2)
17. En glad musikant (A Happy Musician), JS 70 [1:50]
for violin solo with words written in above the musical notation
Text: Ture Rangström
(1924-26) (M/s / Breitkopf & Härtel)
Allegretto
Jaakko Kuusisto violinAppendix II: Alternative Versions
18. [Allegretto] in G major [3:49]
(preliminary version, 1886-87) (M/s HUL 0659/1)
Madoka Sato violin · Folke Gräsbeck piano
Two Pieces, Op. 2 (original versions) [4:47]
19. I. Romance in B minor (1890). Grave (Norman) [3:11]
20. II. Perpetuum mobile (1891). Vivace (Nuori Suomi) [1:30]
Nils-Erik Sparf violin · Bengt Forsberg piano
21. Romance in F major, Op. 78 No. 2 [2:54]
(preliminary version · 1915) (M/s HUL Ö.57.3 / Wilhelm Hansen)
WORLD PREMIÈRE RECORDING
Andante
Madoka Sato violin · Folke Gräsbeck pianoAppendix III : Violin Concerto Fragments and Ossia
From Concerto in D minor for violin and orchestra:
22. 1905 version / First movement - before bars 420-28 [0:23]
(9 additional bars in place of the deleted second cadenza)
(M/s Sibelius Museum, Turku)
WORLD PREMIÈRE RECORDING
23. 1905 version / First movement - bars 75-99 [1:19]
(2 additional bars between bars 89-90 in piano part)
(M/s Sibelius Museum, Turku)
WORLD PREMIÈRE RECORDING
24. Second movement - bars 1-31 [2:52]
(draft version for solo piano, Adagio sostenuto in A major)
(M/s HUL 0471)
WORLD PREMIÈRE RECORDING
25. 1904 version / Second movement - bars 57-70 [1:36]
(alternative ending)
(M/s HUL 0436)
WORLD PREMIÈRE RECORDING
26. 1905 version / Second movement - bars 30-36 [0:48]
(alternative piano part, bar 33)
(M/s Sibelius Museum, Turku)
WORLD PREMIÈRE RECORDING
27. 1904 version / Third movement - bars 168-88 [0:39]
(simplified solo part, bars 178-81, believed to have been prepared for Viktor Nováček at the première in 1904)
(Violin part: M/s HUL 0434; piano part: M/s Sibelius Museum, Turku)
WORLD PREMIÈRE RECORDING
Madoka Sato violin · Folke Gräsbeck piano

Only the most devoted Sibelius fans are likely to be interested in this five-disc set of his complete works for violin and piano, and even they may find it rough going listening to every track. It takes until the last five minutes of the second disc before the program progresses to works bearing an opus number, and the last disc ends with three appendixes of fragments and inconsequential previously unrecorded works. Even the works with opus numbers are generally light in tone and slight in content, and none are among the composer's finest works. The two most substantial pieces are transcriptions, one the original version of the violin concerto and the other the revised final version of the same work.
There is, however, much music that deserves a hearing. The two early sonatas and suites are ardent works of youthful Romanticism, and while most of the late works were written in the depths of the First World War primarily to raise money, they are never less than charming and well-crafted, with occasional touches that are a reminder of the composer's mastery of melody. The violin concerto transcriptions are especially effective, giving the violinist plenty of room for display and granting the pianist a more substantial part in the proceedings. In every case, BIS has chosen excellent players, particularly the fiery Madoka Sato for the flamboyant concertos, and as always, the digital sound is so vivid the musicians sound like they could be in the room with the listener.

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