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Music : Michele Campanella - Liszt The Complete Wagner & Verdi Transcriptions (2013)
 
http://i79.fastpic.ru/big/2016/0627/f5/4b4fa42f81ec242df4468494c9dcf5f5.jpg

FLAC (log,image+cue), Lossless | Label: Brilliant Classics | Classical, Piano | 03:10:02 | 583 Mb

Tracklist:
Disc 1: (Verdi-Transkriptionen)
1. Paraphrase de concert, S. 431a (Ernani) 08:30
2. Salve Maria, S. 431 (Jerusalem) 05:00
3. Miserere, S. 433 (Il trovatore) 08:14
4. Paraphrase de concert, S. 434 (Rigoletto) 07:14
5. Coro di festa e Marcia funebre, S. 435 (Don Carlo) 07:28
6. Agnus Dei, S. 437 (Messa da Requiem) 04:55
7. Reminiscences de Boccanegra, S. 438 (Simon Boccanegra) 11:26
8. Danza sacra e duetto finale, S. 436 (Aida) 11:00
Disc 2: (Wagner-Transkriptionen)
1. Phantasiestuck, S. 439 (on themes from Rienzi) 08:16
2. Ballade, S. 441 05:44
3. Spinnerlied, S. 440 06:37
4. O du, mein holder Abendstern, S. 444 (Tannhauser, Act 3) 07:24
5. Einzug der Gaste auf der Wartburg, S. 445/1 (Tannhauser, Act 2) 09:56
6. Overture, S. 442 (Tannhauser) 17:39
Disc 3: (Wagner-Transkriptionen)
1. Elsas Brautzug zum Munster, S. 445/2 (Lohengrin) 08:49
Aus Lohengrin, S. 446
2. Elsas Traum, S. 446/2 (Lohengrin) 04:07
3. Lohengrins Verweis an Elsa, S. 446/3 (Lohengrin) 03:53
4. Festspiel und Brautlied, S. 446/1 (Lohengrin) 09:05
5. Walhall, S. 449 (from themes from Der Ring des Nibelungen) 06:32
Hebbels Nibelungen, S. 496
6. Hagen und Krimhild / Bechlarn 11:06
7. Isoldes Liebestod, S. 447 (Tristan und Isolde) 09:29
8. Am stillen Herd, S. 448 (Der Meistersinger von Nurnberg) 07:43
9. Feierlicher Marsch zum heiligen Graal, S. 450 (Parsifal) 09:41
Franz Liszt (1811-1886) - Composer
Michele Campanella - Piano
An original contribution to the Verdi and Wagner celebrations of 2013: the complete Verdi and Wagner transcriptions by Liszt!
'Incredible One' is only one of dozens of adulatory salutations to be found in Liszt's letters to Wagner, and Liszt's devotion to Wagner and his music caused him to devote his purse and his art to Wagner's cause. The Wagner transcriptions are the largest group of Liszt's piano works on operatic themes. Most of them are straightforward transcriptions, but it is the very essence of Liszt's homage that we see in the introductions and codas, where he is able to offer a most personal reflection.
The 'transcriptions' and then 'reminiscences' of Verdi's music are (by and large) much more free both with their originals and with his own reputation, dating as they do from a maturity when he no longer felt the need to gratify any expectations of virtuoso brilliance. This is certainly the case of the Danza sacra e Duetto finale from Aida, which Michele Campenella considers 'even more remarkable than the original'.
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