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Music : The Claudia Quintet - Super Petite (2016) FLAC
 
http://i79.fastpic.ru/big/2016/0812/a0/cc2d8b3d31347850aee6094f31f3d6a0.jpg

Artist:The Claudia Quintet
Title:Super Petite
Year Of Release:2016
Label:Cuneiform Records
Genre:Contemporary Jazz
Quality:FLAC (tracks)
Total Time:47:26 min
Total Size:268 MB
WebSite:Album Preview
Tracklist:

01. Nightbreak [6:00]
02. JFK Beagle [3:28]
03. A-List [5:18]
04. Philly [5:13]
05. Peterborough [4:12]
06. Rose Colored Rhythm [8:23]
07. If you seek a Fox [4:14]
08. Pure Poem [1:52]
09. Newark Beagle [3:21]
10. mangold [5:20]

Personnel:

Chris Speed - clarinet, tenor saxophone;
Red Wierenga - accordion, piano;
Drew Gress - acoustic bass;
Matt Moran - vibraphone;
John Hollenbeck - drums, composition.

Explorers of modern creative jazz, avant jazz, and a great deal more, the Claudia Quintet were formed in 1997 by drummer/composer John Hollenbeck, who was less than eager to give up an existing weekly gig at alt.coffee, an Internet cafe in New York City's East Village. Hollenbeck, accordionist Ted Reichman, and bassist Reuben Radding, performing as the Refuseniks, had the gig for about a year, but Radding abandoned ship to move to Montana -- so, nix on the Refuseniks. Rather than bid adieu to alt.coffee, which had become a hot little gathering spot on the New York downtown music scene, Hollenbeck recruited several scenester musicians to form a new band and carry on: reedman Chris Speed, bassist Drew Gress, and vibraphonist Matt Moran -- along with Reichman (by now a proven empathetic player with Hollenbeck and the man who had secured the Refuseniks' alt.coffee gig in the first place). Hollenbeck named his new band the Claudia Quintet after an alt.coffee patron who had professed enthusiasm for the Refuseniks at the group's first show and promised to return for future performances, but never followed through on her vow. "Claudia" subsequently became a running theme cropping up occasionally in the trio members' conversations; the contours of a life story were even imagined for her. Hollenbeck also gave other reasons for naming his new group after the enigmatic Claudia rather than choosing a moniker like, say, the John Hollenbeck Quintet; these included emphasizing the group as a whole and avoiding the typical leader-with-sidemen perception, drawing parallels with the naming approach often used by chamber ensembles that play thoroughly scored material, and giving the band "a female quality" -- although to date no Claudia Quintet albums feature actual females as either core bandmembers or guests. The Claudia Quintet soon proved to be an utterly unique outfit and impressive vehicle for Hollenbeck's creativity as a drummer and composer, and a fine showcase for the other bandmembers as well, featuring an unusual mixture of instrumental timbres and a stylistic melange drawing from cutting-edge jazz, of course, but also Hollenbeck's background in modern composition. The quintet's eponymous debut album was released by CRI/Blueshift in 2001 (simultaneous with two other Hollenbeck non-Claudia discs), and the group soon attracted attention from the Cuneiform label, which has a long history of work with artists who do not fit in easily categorizable niches. Cuneiform released the band's label debut, I, Claudia, in 2004, and continued its commitment to the Claudia Quintet with a series of releases extending for the next ten years: Semi-Formal (2005); For (2007); Royal Toast (2010), featuring special guest Gary Versace on piano; What Is the Beautiful? (2011), with the quintet supplemented by pianist Matt Mitchell and featuring poetry of Kenneth Patchen sung by vocalists Theo Bleckmann and Kurt Elling; and September (2013), in which Red Wierenga replaced accordionist Reichman (whose family commitments had taken him to Boston) and the bass duties were split between Gress (one of the busiest bassists in modern creative jazz with numerous competing commitments) and Chris Tordini. ~ Dave Lynch

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