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Music : Keith Jarrett, Michelle Makarski - Johann Sebastian Bach: Six Sonatas for Violin and Piano (2013) FLAC
 
http://i78.fastpic.ru/big/2016/0813/9f/230bbd16ff8876c94ac08341a229909f.jpg

Artist:Keith Jarrett, Michelle Makarski
Title:Johann Sebastian Bach: Six Sonatas for Violin and Piano
Year Of Release:2013
Label:ECM Records / ECM New Series
Genre:Classical
Quality:FLAC (log,image+cue)
Total Time:01:34:46
Total Size:445 Mb
WebSite:Album Preview
Tracklist:

CD 1:
Sonata No. 1 in B minor, BWV 1014
01. Adagio
02. Allegro
03. Andante
04. Allegro

Sonata No. 2 in A major, BWV 1015
05. Dolce
06. Allegro
07. Andante un poco
08. Presto

Sonata No. 3 in E major, BWV 1016
09. Adagio
10. Allegro
11. Adagio ma non tanto
12. Allegro

CD 2:
Sonata No. 4 in C minor, BWV 1017
01. Largo
02. Allegro
03. Adagio
04. Allegro

Sonata No. 5 in F minor, BWV 1018
05. Largo
06. Allegro
07. Adagio
08. Allegro

Sonata No. 6 in G major, BWV 1019
09. Allegro
10. Largo
11. Allegro
12. Adagio
13. Allegro

Jazz pianist Keith Jarrett has recorded Bach before, on both piano and harpsichord. His interpretations are not jazz versions of Bach but are played straight. In this case you might say relatively straight, for Bach's sonatas for violin and keyboard, BWV 1014-1019, were written for a harpsichord and are generally played that way. Jarrett fans will find the evidence of his characteristic style not in rhythmic inflections toward jazz but in his way of sustaining notes, which is never excessive. As long as you agree to this rather unorthodox way of performing Bach, which 50 years ago would not have been unorthodox, you will enjoy this release. Jarrett, perhaps unsurprisingly for someone raised in the jazz tradition, is a sensitive ensemble player, and his work with violinist Michelle Makarski effectively puts the focus on her while nicely carving out a space for his own style. Too, Bach's pieces are unusual in that they were specifically for violin and harpsichord, not for violin and continuo; they make room for the keyboardist, and Jarrett fills it expressively and lyrically.

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